Original sounds only on this amp! It was a compound track, two parts blended to one. In 1967 the JMP (Jim Marshall Products) panels were introduced. "To this day, the song certainly stands among one of the band’s favorites and we’re particularly delighted to share spotlight on a solo that enjoys such favoritism. I love this plugin. Ch 2 High, + Ch 2 Low patched to Ch 1 High, + Ch 2 Low patched to Ch 1 Low, Equalizer Main Out Low: 200Hz to 0Hz Low Cut, 0 to +12 dB Low Shelf (bypass at 12 o’clock) Sounds great, when up against quality competition. Producer/engineer Tony Platt has recorded some of the most quintessential Marshall tones ever committed to tape — most notably AC/DC’s landmark albums, Highway to Hell and Back in Black. Plexi Hardcourt delivers over 50 years of experience developing the perfect components to deliver professional, competition-quality courts at the speed and comfort level desired. History. This amp rediscovers the infamous tones of the 70’s and brings them to the modern day. the coveted Plexi. Favored by blues hounds and hard rockers alike, the Super Reverb was a fire-breathing wonder in its own right. and the perfect 3 Mic feature that allows me to capture the tone of this amp in multi dimension. Bass knob: 0 to 10 Though Marshall has some powerful designs with a lot of tonal options, amp designs like the original Plexi, the JCM 800s, and the Silver Jubilees have straightforward panels that let you turn on, turn up, and play. By Rod Brakes 03 December 2020. Marshall Amplification was founded by Jim Marshall in 1962, and quickly became synonymous with increased volume and crunchy sound. You can choose from 50 Platt-designed presets, or craft your own tones. Room Mic volume fader: -∞ to +12 dB By the time and waiting the right promotion i will buy everything of UAudio! I plugged in my Les Paul and It took me no time at all to dial in one of my favorite recorded guitar sounds I had gotten out of my gear. Amazing sound and very intuitive how you can control mic distance on the cab. Inputs: Clicking on a Channel Input jack rotates between three options for each Channel Input Ch 1 Low, + Ch 1 High patched to Ch 2 Low, + Ch 1 High patched to Ch 2 High 1959 Super Lead 100 Watt and 1987 Lead 50 Watt "Plexi" Preamp. Legendary.... Must to have ! From January 1965 to June 1969, model codes were used but no known serial numbers accompanied them. It includes Delays with Tap Tempo, and studio quality Reverbs. Softube enlisted Platt to capture exquisite cabinet and microphone simulations using his Platinum-approved, tried-and-true mic recipes. Channel strip includes pans and volume faders for each mic, plus two band EQ, On/Off switch: On or off This is the big M sound that we love so much. Two loudness options mean that you choose between the high gain of loudness one and the deep, cleaner tone of loudness two. Marshall amps were also popularised by trailblazing guitarists like Pete Townshend, Jimi Hendrix and Jimmy Page. I compared one of my songs using this amp vs Bias and this amp was 100% better, I rather have one good amp then lots of toys, Marshall Plexi is awesome in your mix!! Four of these amplifiers were built and delivered to Pete Townshend, and the Marshall Super Lead Model 1959, the original Plexi, was born in 1965. It gave the guitar a fully heavy tone. Mic 1 volume fader: -∞ to +12 dB Marshall Plexi guitar amps: everything you need to know. The Marshall Plexi guitar amplifier was an evolution of their very successful Fender 5F6-A Bassman copy, the JTM45 but with just two preamp gain stages it can't really be considered a "high gain" amplifier.. Three different microphone combinations available — FET, Valve, and Dynamic The undisputed alpha dog of rock and roll guitar amps, the Marshall 1959 Super Lead amplifier is as legendary as the music it helped create. Mic 1 Solo switch: On or Off The interaction of your guitar’s pickups to an amp’s front end is crucial to capturing the tone and feel of the amplifier. Volume I knob: 0 to 10 Es wurde vom Schlagzeugladenbesitzer und Schlagzeuger Jim Marshall 1962 in London gegründet und hat seinen Sitz in Bletchley 40-18024 (120/220/240V Upright Original Version) 40-18053 (120/220/240V Upright & Upgrade with M-6 & Copper Flux Band) 40-18032 (5 Hy, 120mA DC Original Version) A great big portable studio in my Mac ! I have thus enriched my possibilities. I have never played through the real amp but playing and recording with this plug-in is amazing! Very impressed. The sustain is nailed in but the attack is disturbing where it lacks realism, dynamics and punch. Presence knob: 0 to 10 非常棒的箱子，在活动时购买了它。非常实用，效果一流。, Great amp plugin. The original 1974 came out in ’66 … I was able to grab it with a discount coupon...for me a great buy. Equalizer Main Out High: -12 to +12 dB (bypass at 12 o’clock) If you are a guitarist in search of an old-fashioned sound, then you might consider a vintage guitar amplifier. Angus Young on Back in Black? In an effort to capture the ultimate Plexi sound, Marshall offered the talented developers at Softube a bone-stock, pristine 1967 Super Lead from its own museum. Offering up that vibe both tonally and aesthetically, these nostalgic amps give you that classic and unmistakable Marshall tone but at a fraction of the price of originals or reissues. Good for padding things up or mixed with other UAD effects, but unmusical and not playable on its own. Model Codes Without Serial Numbers: 1965 - 1969 . I used this plugin as an amp for a fractal guitar session and it was fantastic. So Carl Martin’s new PlexiRanger, which mates the Danish builder’s PlexiTone Marshall-in-a-box stomp to a treble booster in the mold of the Rangemaster and John Hornby Skewes Treble Booster, is a pretty natural pedal proposition. You must have JavaScript enabled in your browser to utilize the functionality of this website. Treble knob: 0 to 10 JavaScript seems to be disabled in your browser. Room Mic Pan knob: 100% L to 100% R The Marshall Origin series hearkens back to Marshall's golden age of the 60s and 70s, with their original Plexi amplifiers. Townshend, Clapton, and Hendrix, to name a few, all played the 1959 Super Lead. I plugged in my Les Paul and It took me no time at all to dial in one of my favorite recorded guitar sounds I had gotten out of my gear. Volume II knob: 0 to 10

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